Pranay Krishna said that while the culture peddled by the ruling class and market was presented as 'national culture,' in fact the national culture of the working class is yet to be apparent. Adivasis are reduced to being a decorative and exotic component of ruling class elite culture - rid of their history and continuing spirit of struggle and resistance. He said that Nagarjun's whole life and creative work was a product of people's struggles. This year was the Birth Centenary year of not only Nagarjun but also Kedarnath Agarwal, Shamsher, Agyeya and Faiz, and JSM would in the course of the year organise events to commemorate all these poets and writers. Maithili writer Ashok as well as Lokyuddh editor Brij Bihari Pandey also addressed the inaugural session. In the course of the festival, Hirawal (Patna) presented a play by Bhartendu Harishchandra in a new way that made it resonate with contemporary issues of state terror. Dasta (Banaras) sang sings by the revolutionary poet Valmik Jaunpuri, writer Hari Om presented poetry by Faiz Ahmad Faiz.
A exhibition of paintings (prepared with the help of painter Ashok Bhowmik) displayed reproductions of paintings by Chiitoprasad, Jainul Abdin and Somenath Hoare. Bronze sculpture and sketches by young sculptor and painter Manoj Pankaj, paintings by Madhulika Pankaj on the theme of women's struggles, and paintings by young painter Anupam Ray on the theme of the Commonwealth Games workers were also displayed.
Kandir, a group of performers from Kolkata presented a play called 'Talent Hunt' satirising reality shows, Baul performers presented haunting music, and folk dances were presented by performers from Jogiya (Kushinagar) and Jharkhand JSM's all-woman team Prerna.
Poetry recitals too were a highlight of the festival – by Dinesh Kumar shukla, Shambhu Badal, and Ramashankar Vidrohi.